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Abstract: This 11 page paper gives an in-depth analysis of Iranian filmmaking. Two major film makers are profiled, which include Kiarostami and Panahi. Specific examples of their work are discussed as well as their particular techniques analyzed. Social, political, and cultural influences are discussed. Neo-realism is mentioned as a formal influence. Bibliography lists 10 sources.
Catagory: Film & Television
Subcatagory: Music, Film, Television, Theater & Photography
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